音乐视频:莫扎特的《安魂曲》
——为余杰被迫出走中国而发
贝多芬的《D大调庄严弥撒》和莫扎特的《安魂曲》在我所欣赏过的全部西方经典音乐作品中排在首位。它们原本被排在我的全部音乐视频博客系列文章的最后。最近听闻余杰及其家人被迫出走中国,我不得不打乱计划,决定提前将莫扎特的《安魂曲》奉献在此。如果余杰在其《去国声明》中所述事实及其出走的理由成立,那么,这就是这个自称具有5000年文明史的国家和民族向野蛮退化的明证和悲剧。
一个人或一群人对另一个人的自由的剥夺就是他或他们对所有其他人的自由的剥夺;一个人或一群人对另一个人的肉体和精神的奴役就是他或他们对所有其他人的精神和肉体的奴役。这是人世间最大的恶,因为它是对一切平等、正直和公义的彻底背叛。
谨以此音乐视频博文表达自己对在中国近代史上践行独立思考、追求个人自由之精神并因此而为实现中国民主化而努力奋斗的前辈、同辈以及若干代下一辈的敬意。祝他们成功!愿我的祖国不再有人对人的奴役,愿人类更加美好!
Mozart Requiem by Herbert von Karajan
(注:本视频从第10分19秒开始的一段约两分钟的音乐 (Dies Irae) 通常被认为是神的忿怒,或人神共忿。)
Wolfgang Amadeus Mozart / Requiem in d minor, k 626
Herbert von Karajan / Wiener Philharmoniker / Wiener Singverein, 1986
Anna Tomowa Sintow
Helga Muller Molinari
Vinson Cole
Paata Burchuladze
2:05
7:34 II. Kyrie
III. Sequentia
10:16 1. Dies irae
12:09 2. Tuba mirum
16:01 3. Rex tremendae
18:22 4. Recordare
23:32 5. Confutatis
25:54 6. Lacrimosa
IV. Offertorium
29:29 1. Domine Jesu
33:22 2. Hostias
38:00 V. Sanctus
39:50 VI. Benedictus
45:30 VII. Agnus Dei
49:13 VIII. Communio
http://www.youtube.com/watch?v=ia8ceqIDSJw&feature=fvwrel
Mozart: Requiem, original unfinished version
Wolfgang Amadeus Mozart
Requiem Mass in D minor, K626 - original unfinished version
(without Süssmayr completition).
Iride Martinez, Steve Davislim, Kwangchul Youn, Monica Groop (soloists)
CHRISTOPH SPERING (conductor)
NOTES:
Introitus is complete, Kyrie is almost fully orchestrated, Sequentia and Offertorium are fully sketched in voices and continuo, but we have only the first eight bars of Lacrimosa (which ends the Sequentia).
No Sanctus, Benedictus and Agnus Dei, although the Agnus Dei is suspected by some scholars to have been based on instruction or sketches from Mozart (http://en.wikipedia.org/wiki/Requiem_%28Mozart%29).
The last piece (in part 3/3) is a short sketch for an Amen fugue, which could be part of the Requiem, we don't exactly know.
Note that Süssmayr decided to end the work by adapting the opening two movements which Mozart had written to the different words of Lux Aeterna. This original unfinished version ends with the Amen sketched fugue not presenting the Lux Aeterna.
Part 1/3:
I. Introitus: Requiem aeternam
II. Kyrie eleison
III. Sequentia:
Dies irae
Tuba mirum
http://www.youtube.com/watch?v=u_RfFH27Ddo&feature=related
Part 2/3:
III. Sequentia (continues):
(0:00) Rex tremendae majestatis
(1:40) Recordare, Jesu pie
(7:50) Confutatis maledictis
(10:20) Lacrimosa dies illa (unfinished)
http://www.youtube.com/watch?v=a8oFkKKmCIo&feature=related
Part 3/3:
IV. Offertorium:
(0:00) Domine Jesu Christe
(3:20) Versus: Hostias et preces
V. (7:06) Amen fugue (sketch)
看来,你除了有情商,也不乏智慧。对我的认识很准确么。那么,“真是对莫扎特的侮辱.”“某哗众取宠的政治投机者”——这些话可是你说的?你知道这些话的性质不是“恶语”相向而是很有君子风度? 你认为你应该因此而从我这里得到几句君子风度般的回应?你配吗?
祝你过个愉快的中国年!
你所说的政治是哪门子政治?难道独裁奴役主义者不该受到批评甚至颠覆?难道反抗独裁和被奴役就是政治投机分子?
你真无耻!但也许是幼稚加无知,但愿是后者。或者,我也许可以说你有一定的情商,但却没有足够的智商来支撑你的那点可怜的情商。
I also watched that movie around 1988. I liked it.
尽管我不是太理解这部作品,但我很怀疑你的说法是否符合莫扎特的心意。
In 1985 movie Amadeus, Requiem has strong relation to Mozart’s death. I was deeply moved by the passion of music portrayed by both actors for Mozart and the jealous court musician Salieri.
The “grey messenger” who commissioned Mozart’s final work was actually an emissary for Count Walsegg-Stuppsch, who wished to perform the Requiem in memory of his wife and required anonymity because he wished to pass the work off as his own.
Mozart started it in good spirits, but his health began to fail and he became obsessed with the idea that he was writing it for his own death. Death did indeed strike when the work was far from complete...