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音乐视频:莫扎特的《安魂曲》——为余杰出走而发

(2012-01-20 11:15:16) 下一个


音乐视频:莫扎特的《安魂曲》
                         
——为余杰被迫出走中国而发 

贝多芬的《D大调庄严弥撒》和莫扎特的《安魂曲》在我所欣赏过的全部西方经典音乐作品中排在首位。它们原本被排在我的全部音乐视频博客系列文章的最后。最近听闻余杰及其家人被迫出走中国,我不得不打乱计划,决定提前将莫扎特的《安魂曲》奉献在此。如果余杰在其《去国声明》中所述事实及其出走的理由成立,那么,这是这个自称具有5000年文明史的国家和民族向野蛮退化的明证和悲剧。
    一个人或一群人对另一个人的自由的剥夺就是他或他们对所有其他人的自由的剥夺;一个人或一群人对另一个人的肉体和精神的奴役就是他或他们对所有其他人的精神和肉体的奴役。这是人世间最大的恶,因为它是对一切平等、正直和公义的彻底背叛。
   
谨以此音乐视频博文表达自己对在中国近代史上践行独立思考、追求个人自由之精神并因此而为实现中国民主化而努力奋斗的前辈、同辈以及若干代下一辈的敬意。祝他们成功!愿我的祖国不再有人对人的奴役,愿人类更加美好! 

Mozart Requiem by Herbert von Karajan 

(注:本视频从第10分19秒开始的一段约两分钟的音乐 (Dies Irae) 通常被认为是神的忿怒,或人神共忿。)

Wolfgang Amadeus Mozart / Requiem in d minor, k 626
Herbert von Karajan / Wiener Philharmoniker / Wiener Singverein, 1986

Anna Tomowa Sintow
Helga Muller Molinari
Vinson Cole
Paata Burchuladze
 

2:05 I. Introitus
7:34 II. Kyrie
III. Sequentia
10:16 1. Dies irae
12:09 2. Tuba mirum
16:01 3. Rex tremendae
18:22 4. Recordare
23:32 5. Confutatis
25:54 6. Lacrimosa
IV. Offertorium
29:29 1. Domine Jesu
33:22 2. Hostias
38:00 V. Sanctus
39:50 VI. Benedictus
45:30 VII. Agnus Dei
49:13 VIII. Communio

http://www.youtube.com/watch?v=ia8ceqIDSJw&feature=fvwrel

http://youtu.be/ia8ceqIDSJw  

Mozart: Requiem, original unfinished version

Wolfgang Amadeus Mozart
Requiem Mass in D minor, K626 - original unfinished version
(without Süssmayr completition). 

New Berlin Chamber Orchestra - Chorus musicus Koeln
Iride Martinez, Steve Davislim, Kwangchul Youn, Monica Groop (soloists)
CHRISTOPH SPERING (conductor)


NOTES:
       Introitus is complete, Kyrie is almost fully orchestrated, Sequentia and Offertorium are fully sketched in voices and continuo, but we have only the first eight bars of Lacrimosa (which ends the Sequentia).
       No Sanctus, Benedictus and Agnus Dei, although the Agnus Dei is suspected by some scholars to have been based on instruction or sketches from Mozart (http://en.wikipedia.org/wiki/Requiem_%28Mozart%29).
       The last piece (in part 3/3) is a short sketch for an Amen fugue, which could be part of the Requiem, we don't exactly know.
       Note that Süssmayr decided to end the work by adapting the opening two movements which Mozart had written to the different words of Lux Aeterna. This original unfinished version ends with the Amen sketched fugue not presenting the Lux Aeterna. 

Part 1/3:
I. Introitus: Requiem aeternam
II. Kyrie eleison
III. Sequentia:
        Dies irae
        Tuba mirum

http://www.youtube.com/watch?v=u_RfFH27Ddo&feature=related

http://youtu.be/u_RfFH27Ddo  

Part 2/3:
III. Sequentia (continues):
          (0:00) Rex tremendae majestatis  
          (1:40) Recordare, Jesu pie  
          (7:50) Confutatis maledictis  
          (10:20) Lacrimosa dies illa (unfinished)

http://www.youtube.com/watch?v=a8oFkKKmCIo&feature=related

http://youtu.be/a8oFkKKmCIo  

Part 3/3:
IV. Offertorium:
        (0:00) Domine Jesu Christe  
        (3:20) Versus: Hostias et preces
V. (7:06) Amen fugue (sketch)

http://www.youtube.com/watch?v=5a9CuNa2L-A&feature=related

http://youtu.be/5a9CuNa2L-A

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阅读 ()评论 (17)
评论
可选项123 回复 悄悄话 既然楼主和余杰一样找到了安魂的地方和曲子,何必劳神费事地在这儿生闷气?也想帮助更多中国人出走安魂?你美国大爷给那个出走来美国的自由吗?
可选项123 回复 悄悄话 不明白了,这个余杰不是很自由地想留下就留下想出走就出走吗?他的自由度不是很高吗?因为他说的想的跟很多人不一样而受到别人的攻击就说自己没有自由是不是把自己对自由的过分理解凌驾于别人的自由之上了?余杰不是一直在攻击别人吗?你的灵魂不安了,换个安魂的地方没错,可你硬说余杰的自由被别人剥夺了,俺就不懂了。这个被“剥夺”的“自由”到底是啥?以啥方式被“剥夺”的?这个曲子还有这个功效真让咱开眼。
xwenxuecityy 回复 悄悄话 象这样把莫扎铁和余杰联系在一起,无疑是把余杰捧高了,把莫扎铁贬低了。表明LZ对这两者都不懂。
TNEGI//ETNI 回复 悄悄话 回复横塘雨眠的评论:

看来,你除了有情商,也不乏智慧。对我的认识很准确么。那么,“真是对莫扎特的侮辱.”“某哗众取宠的政治投机者”——这些话可是你说的?你知道这些话的性质不是“恶语”相向而是很有君子风度? 你认为你应该因此而从我这里得到几句君子风度般的回应?你配吗?
横塘雨眠 回复 悄悄话 对公众人物有不同看法不是很正常吗?何必恶言相向呢?大过年的干嘛火气那么盛,太不讲君子风度了吧?
祝你过个愉快的中国年!
mr.90kg 回复 悄悄话 评论此帖:张冠李戴,莫名其妙!
TNEGI//ETNI 回复 悄悄话 回复横塘雨眠的评论:

你所说的政治是哪门子政治?难道独裁奴役主义者不该受到批评甚至颠覆?难道反抗独裁和被奴役就是政治投机分子?

你真无耻!但也许是幼稚加无知,但愿是后者。或者,我也许可以说你有一定的情商,但却没有足够的智商来支撑你的那点可怜的情商。
横塘雨眠 回复 悄悄话 对不起,恕我直言,按照傅聪的理解,莫扎特是贾宝玉加孙悟空的混合体.他童心未泯,天真烂漫,这也正是他作品的魅力所在.把他跟眼下某哗众取宠的政治投机者联系起来,不是对他的侮辱吗?
TNEGI//ETNI 回复 悄悄话 回复megchen的评论:

I also watched that movie around 1988. I liked it.
TNEGI//ETNI 回复 悄悄话 回复横塘雨眠的评论:

尽管我不是太理解这部作品,但我很怀疑你的说法是否符合莫扎特的心意。
megchen 回复 悄悄话
In 1985 movie Amadeus, Requiem has strong relation to Mozart’s death. I was deeply moved by the passion of music portrayed by both actors for Mozart and the jealous court musician Salieri.

The “grey messenger” who commissioned Mozart’s final work was actually an emissary for Count Walsegg-Stuppsch, who wished to perform the Requiem in memory of his wife and required anonymity because he wished to pass the work off as his own.

Mozart started it in good spirits, but his health began to fail and he became obsessed with the idea that he was writing it for his own death. Death did indeed strike when the work was far from complete...
横塘雨眠 回复 悄悄话 很遗憾,你把莫扎特的安魂曲跟余杰的出走联系到一起,真是对莫扎特的侮辱.
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