阿拉姆·哈恰图良(亚美尼亚语:Արամ Խաչատրյան,俄语:Аpaм Ильич Xaчaтypян,1903年6月6日-1978年5月1日),亚美尼亚作曲家。
哈恰图良生于乔治亚第比利斯(当时属于俄罗斯帝国)的一个亚美尼亚家庭。1921年他到了莫斯科,先在格涅辛音乐学院向米哈伊尔·格涅辛学习大提琴,之后并学习作曲,1929年他进入了莫斯科音乐学院,跟随尼古莱·米亚斯科夫斯基学习。1930年,他与同学也是作曲家的妮娜·玛卡洛娃结婚。1951年起成为了莫斯科音乐学院的教授。
哈恰图良的创作具有亚美尼亚民族音乐的特点,代表作有舞剧《斯巴达克斯》、《加雅涅》(曾于斯坦利·库布里克的电影《2001太空漫游》作为配乐,其中包含著名的《马刀舞曲》)等。他也是前亚美尼亚苏维埃社会主义共和国国歌的作者。
Aram Khachaturian (Armenian: Արամ Խաչատրյան, Aram Xačatryan; Russian: Аpaм Ильич Xaчaтypян, Aram Il'ič Hačaturjan) (June 6, 1903–May 1, 1978) was a Soviet-Armenian composer whose works were often influenced by Armenian folk music.
Khachaturian’s works include concertos for violin (also transcribed for flute), cello, and piano (the latter originally including an early part for the flexatone), concerto-rhapsodies for the same instruments, three symphonies—the third containing parts for fifteen additional trumpets and organ, and the ballets Spartak (AKA Spartacus) and Gayane (the adagio was used in Stanley Kubrick’s film 2001: A Space Odyssey). The latter ballet features in its final act what is probably his most famous movement, the “Sabre Dance.” He also wrote some piano music such as the song "Two Ladies Gossiping," a quick and lively song.
He also composed some film music and incidental music for plays such as the 1941 production of Mikhail Lermontov’s Masquerade. The cinematic quality of his music for Spartacus was clearly seen when it was used as the theme for a popular BBC drama series, The Onedin Line, during the 1970s. Since then, it has become one of the most popular of all classical pieces for UK audiences. Joel Coen’s The Hudsucker Proxy also prominently featured music from Spartacus and Gayane (Sabre Dance included) mixed with the original compositions by Carter Burwell. He was also the composer for the state anthem of the Armenian SSR, whose tune is one of the five current choices to become the next state anthem of Armenia. The climax of Spartacus’ second movement was also used in Ice Age: The Meltdown.
Khachaturian was enthusiastic about communism. In 1920, when Armenia was declared a Soviet republic, Khachaturian joined a propaganda train touring Armenia, populated by Georgian-Armenian artists. The composer joined the Communist Party of the Soviet Union in 1943. His communist ideals, along with his Armenian nationalism, are apparent in his works, especially Gayane (which takes place on a collective farm) and the Second Symphony. It was the Symphonic Poem, later titled the Third Symphony, that earned Khachaturian the wrath of the Party. Ironically, Khachaturian wrote the work as a tribute to communism: “I wanted to write the kind of composition in which the public would feel my unwritten program without an announcement. I wanted this work to express the Soviet people’s joy and pride in their great and mighty country.” Perhaps because Khachaturian did not include a dedication or program notes, his intentions backfired. Andrei Zhdanov, secretary of the Communist Party’s Central Committee, delivered the so-called Zhdanov decree in 1948. The decree condemned Shostakovich, Prokofiev, Khachaturian, and other Soviet composers as “formalist” and “antipopular.” All three accused composers were forced to apologize publicly. The decree affected Khachaturian profoundly: “Those were tragic days for me... I was clouted on the head so unjustly. My repenting speech at the First Congress was insincere. I was crushed, destroyed. I seriously considered changing professions.”
He died in Moscow on May 1, 1978, just short of his 75th birthday. He was buried in Yerevan, Armenia, along with other distinguished Armenians who made Armenian art accessible for the whole world. In 1998, he was honored by appearing on Armenian paper money (50 dram).
(From Wiki )